In winter time we might find ourselves in situations where our studios have no heating, we want to finish a mural, spray varnish outdoors or actually paint en plein air. But when is it too cold to paint? The short answer first… The answer depends largely on the painting medium.
Let us first say, we hope that you, your families and your communities are staying healthy and safe. Like all of you, we have had to maneuver around the impacts of this pandemic and the unprecedented resulting effects over the last several months. We truly appreciate your continued support during
This article provides some initial testing focused on how well oil paints adhere to several non-porous surfaces without any ground preparation
With the advent of new composite materials, artists today are able to take advantage of lightweight, dimensionally stable supports that offer a smoothness unattainable through traditional surface preparation. These “modern” substrates require little to no preparation, come in a variety of thicknesses and can range from transparent and glossy to matte
We often get asked “What is the best way to paint on ceramics with acrylic paint?”. The question is usually geared toward painting unglazed pottery, but also sometimes glazed ceramics. We do not recommend our products be used on anything that will touch food, hold liquid or go into
Introduction The creation of a mural should begin long before ladders, scaffolding, and cherry-pickers are on site. Although we have amassed extensive information about mural painting, the conversation about how to go about estimating products could use some expansion. When preparing to paint a mural, the creation of a maquette
White is often thought to be as much as 20% of a typical painting. Used for grounds, for opacifying, for lightening or brightening deep colors, its importance cannot be overlooked. Not only is it a critical component coloristically, but understanding the whites in your oil painting will also aid
We are sad to announce that after October 31, 2020 we will no longer be able to offer QoR Permanent Scarlet watercolor, as the PR 168 pigment used to make this paint has been discontinued and is no longer available. The artist paint industry is often subject to the whims
Golden Artist Colors has launched a new podcast. Paint Stories, a podcast about what has made the journey of the company so special, focuses on the stories of hundreds of amazing artists who have invited Mark and his family into their lives, to share their love of materials and the
Brushes carry our paint from the palette to the canvas. They give us control over our marks and assist us in handling paint and mediums. Therefore, brushes are an important tool for any painter and worth looking into deeper. At GOLDEN, we produce paint in three different mediums: oils, acrylics,
