(Conversations – Full Transcript) Mark Golden (MG): “We are delighted to be able to bring together a collaboration that truly bridges our fine arts community. We hope to provide a summary of where we are today in the discussion of how to care for and treat acrylic painting, especially as
The Sam and Adele Golden Foundation for the Arts, Inc. was founded by family members in 1997 for the charitable purpose of fostering innovative artistic expression and the creative process. It is one of the few foundations in the country to focus exclusively on individual professional artists working in
It remains our goal in these pages of Just Paint to create a forum for discussion of some of the most important topics related to modern art materials in contemporary art. In this ongoing effort to stay relevant, we have dedicated this issue primarily to working with digital art. I
By Scott Bennett We regularly review new pigments and binders for potential inclusion into our already vast line of products for artists. Sometimes it is obvious that we need to fill a color space or gap between existing colors. The goal is to make smoother transitions between colors and ultimately,
By Mark Golden Golden Artist Colors, Inc. has worked diligently to create a company that we could all be proud of. Our mission, emerging from our conversation with artists, has kept our direction focused: To grow a sustainable company dedicated to creating and sharing the most imaginative and innovative tools
EDITOR’S NOTE (4/26/23): Please note that Polymer Varnish has been discontinued and replaced with Gloss Waterborne Varnish. You can read more about it here. By Mike Townsend The volume of e-mails and calls to our Technical Support Department reveals a consistent increase in the number of artists incorporating inkjet printing into their
By Digital Atelier® Artists, Karin Schminke, Dorothy Simpson Krause, Bonny Pierce Lhotka As computers are becoming commonplace in homes and studios, artists are integrating digital processes into their work at an ever-increasing rate. Superior digital editing capabilities encourage creative exploration and give the artist more precise control over the production
By Sarah Sands “I’m not particularly worried about lightfastness,” the customer said with confidence as we discussed the merits of using a UV protective varnish. “The ink system I’m using is rated as permanent for more than 100 years.” I glance at the time, and take a deep breath. “Here
Over the last several years, I have been given the opportunity to be personally involved with an international conference of decorative painters, known as The Salon. It is an invitation-only gathering of dedicated decorative painters from around the world coming together to exhibit their work and discuss old and
As we all know, there are two sides to every story, and Benny Shaboy — a painter and sculptor who is the founding editor/publisher of studioNOTES — explains why some artists choose to avoid computers as their primary resource for information. In the early days of personal computers, I decided
