I think we all know the feeling. You pause for a moment looking back towards a house or an apartment, a surround of land or the last vestige of a city’s skyline. It is always a very particular place, a very precise moment. You take things in, a slow deep
Glare and reflections are the typical challenge when photographing paintings with a glossy finish. We can do our best by photographing in indirect sunlight, which provides the best lighting, and eliminate shadows and “hot spots” as best we can, and still find that the light distorted the representation of our
Please Note: What follows is an update to long-term testing that we first wrote about in 2018. The original articles provide important background and context for understanding the current results, and can be found here: Zinc Oxide – Reviewing the Research, Zinc Oxide – Warnings Cautions and Best Practices, and
Please Note: What follows is an update to long-term testing that we first wrote about two and a half years ago. The original article provides important background and context for understanding the current results, and can be found here: On the Yellowing of Oils Yellowing after 5 years It’s the
Imagine if you will, the scene: the artist in their studio, clothing covered in paint, standing above, next to or on top of canvas laid upon the floor, fully animated and wild broad gestures halted by short deliberate movements; using their whole body to fill the enormity of the painting
This is a common question that we field here in the Materials & Applications Specialists department. The answers are varied and depend a lot on the specific application, performance requirements, and placement or location of the artwork or object. But, before any discussion can begin, we need to define what
We hope Just Paint has been a valuable resource for artists, educators, material scientists and conservators to allow us to share our research and insights on the range of products we produce. I am seizing this space to extend a personal thank you to all of you who have supported our
Genuine Indian Yellow was prized for its transparency, depth of color and mixing properties with notable applications in landscape painting. Its origin was and is still, a curiosity. Recently, a 19th c. sample of Indian Yellow pigment was generously donated to Golden Artist Colors by Brian Baade, Paintings Conservator and
Have you ever stood in the aisle of your favorite art supply retailer, or stared online at a color chart with awe (and maybe a little bit of intimidation) of the vast selection before you? The workhorse behind this range of colors is pigment – finely powdered insoluble particles available
Neutral colors are those with little or no color saturation. Although often overlooked, neutrals play a vital role in the success of a composition. A neutral color is one without a strong chromatic hue. White, gray and black occupy the core neutral zone, and watercolor paints of these colors can
