Mark Golden: I’m here with Scott Fischer, one of our Material and Application Specialists on staff, to discuss his career as an artist and his journey in the visual arts. What began your passion with art? Scott Fischer: Growing up my focus was on sports. I was a swimmer. I had an
The EuACA’s Technical Committee has put together a document with best practice advice for oil painters working in thick layers. We are pleased to share this document so more artists can access this information. We have added links to relevant Just Paint articles and application sheets at the bottom of
Artists everywhere are adapting their creative practices to new spaces, new demands, and new media – and the folks at GOLDEN are doing it too. We hope you’ve enjoyed looking at a few of the products and ideas we highlighted in this section, and maybe they’ve sparked a few ideas for
If you are working with mixed media, the best display solution is usually behind UV-protective glass. This provides ultimate protection against UV-light, dirt and dust. If you decide against mounting behind glass, then varnishing or top coating can be the next best option, however, that can become tricky when mixed
In 2009, a chemist at Oregon State University named Mas Subramanian and his team discovered a new blue pigment named YInMn Blue after the elements of which it was created; a mixture of yttrium, indium and manganese oxides. This pigment was approved for commercial use in 2017 and now
Is there a best orientation for stretching fabric and does this really make much of a difference for primed and painted canvas? Well, the general consensus is that the weft should be in the shortest dimension since it is the most reactive. But what is the weft, how can one
When oil painters visit our factory, we always show them these colors. The response is unanimously positive, especially from those who use darker tones or blacks in their work. Williamsburg has six chromatic darks that we want to feature in this article. These colors are all blends, containing a
Mark Golden: I’m here with Greg Watson, one of our Materials & Application Specialists here at GOLDEN, who has been with us since 2015 and I’m embarrassingly late in introducing Greg to the many artists he’s already been assisting. What would you be doing right now Greg if art wasn’t part
Introduction When QoR Modern Watercolor was introduced to the painting world in 2014, we were so delighted with the color intensity and workability that we overlooked introducing the mediums and additives that were an integral part of the introduction of the line. So although six years later, we hope to
Color can be a complex and overwhelming subject, so in this article we hope to shed some light on the subject of neutralizing color, or toning it down without changing the color itself or its “color identity”. We will touch upon methods using White, Gray and Black, Complements, and how the Virtual Paint
