Early in our efforts here to be good stewards of our environment, we had to learn how to deal with our manufacturing waste. We began this business 40 years ago in a barn on the site of my folk’s retirement home. The well they drew water from was only 20
EDITOR’S NOTE (4/14/21): Please note our recommendation for sizing before applying Oil Ground is currently being retested and this article has been changed to reflect this development. Grounds are selected to provide the proper color, level of absorbency and tooth to meet an artist’s needs. Oil painters have the extra
Due to pigment availability issues, Williamsburg Handmade Oil Colors will unfortunately be discontinuing French Noir Indien and French Cassel Earth. We will also be changing our Van Dyke Brown from a Bituminous Earth and Raw Umber blend to a new mixture of Ivory Black and synthetic iron oxide. The
Despite being discontinued, GOLDEN Stop-Out Varnish for Intaglio Printmaking has remained popular in many printmaking circles for being a non-toxic alternative to traditional asphaltum and lacquer-based stop-out varnishes. While we have no plans to bring this product back into our lineup, we wanted to share a simple recipe for interested
There are five key aspects directly influencing the lifespan and overall durability of an exterior mural: the environment in which the mural will be placed the paint system used the base surface upon which the mural will reside the preparation of and products directly upon the substrate’s surface the final
3D prints have become a much more frequently used and a more readily available medium for artists and sculptors. Desktop 3D printers are now affordable and online 3D printing services are available in abundance. Some filaments allow for full color prints, but particularly in smaller prints, the quality of these
In response to recent questions we have received from artists about the compatibility of using our GOLDEN Acrylics and Varnishes with alcohol inks, we decided to test these materials together. Our results were varied, with varnish testing in particular having more inconsistent results than we expected due to the wide
As acrylic painters we thin our paints with water to lower viscosity and make thin washes. Many of us also use mediums to alter consistency and viscosity and make translucent glazes. But, it is not always obvious how and when to use these mixtures, or how versatile they can be.
Acrylic color shift and shrinkage GOLDEN Heavy Body Color and acrylic mediums provide a range of options to artists wanting to paint thickly. This video demonstrates two factors that should be considered when working with these products – color shift and shrinkage that occur as acrylic paints and mediums dry.
Watercolor Resist with Acrylic Gel Acrylics can be used as resists in mixed media works with watercolor. Gels and mediums come in a range of viscosity that can be brushed or knifed onto the surface. PRODUCTS:QoR Ultramarine BlueQoR Benzimidazolone YellowQoR Quinacridone MagentaQoR Payne’s GrayQoR Transparent Pyrrole OrangeGolden Heavy Gel Gloss (or
