Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a
Artists everywhere are adapting their creative practices to new spaces, new demands, and new media – and the folks at GOLDEN are doing it too. We hope you’ve enjoyed looking at a few of the products and ideas we highlighted in this section, and maybe they’ve sparked a few ideas for
EDITOR’S NOTE (4/26/23): Please note that Polymer Varnish has been discontinued and replaced with Gloss Waterborne Varnish. You can read more about it here. If you are working with mixed media, the best display solution is usually behind UV-protective glass. This provides ultimate protection against UV-light, dirt and dust. If
Is there a best orientation for stretching fabric and does this really make much of a difference for primed and painted canvas? Well, the general consensus is that the weft should be in the shortest dimension since it is the most reactive. But what is the weft, how can one
When oil painters visit our factory, we always show them these colors. The response is unanimously positive, especially from those who use darker tones or blacks in their work. Williamsburg has six chromatic darks that we want to feature in this article. These colors are all blends, containing a
Mark Golden: I’m here with Greg Watson, one of our Materials & Application Specialists here at GOLDEN, who has been with us since 2015 and I’m embarrassingly late in introducing Greg to the many artists he’s already been assisting. What would you be doing right now Greg if art wasn’t part
Introduction When QoR Modern Watercolor was introduced to the painting world in 2014, we were so delighted with the color intensity and workability that we overlooked introducing the mediums and additives that were an integral part of the introduction of the line. So although six years later, we hope to
Color can be a complex and overwhelming subject, so in this article we hope to shed some light on the subject of neutralizing color, or toning it down without changing the color itself or its “color identity”. We will touch upon methods using White, Gray and Black, Complements, and how the Virtual Paint
Throughout the COVID-19 outbreak, we are dedicated to our service and continue to be available to answer questions and lend support for artists. We are still here; we are still available; we have just changed the environment in which we work. My name is Stacy Brock and I am
If you ever have a stroke of bad luck and accidentally punch or tear your canvas painting, don’t patch it up. Holes and tears in stretched canvases can happen and patches can seem like an easy fix but are not recommended. Likewise, adhering labels with information about the painting on
