The acrylic medium for artists has now passed its 60th year since the first artists experimented and created with Bocour’s Magna®. I have been imagining and conjecturing with others for some time now what these materials might look like one hundred, five hundred or a thousand years from now. A
By Gallery Director, Jim Walsh The Sam & Adele Golden Gallery is pleased to present an exhibition entitled, ‘Carl Plansky and Friends’ opening on September 25, 2010 and running through November 20, 2010. This exhibition celebrates the legacy of painter Carl Plansky, founder of Williamsburg Handmade Oil Colors, as both
By: Michael Townsend The GOLDEN Digital Grounds, Gel Mediums and Archival Spray Varnishes have created options that will feel very familiar to photographers and are creating a platform for new alternatives for hands-on control of the final image. Many photographers have in the past been able to use the darkroom
By: Amy McKinnon When new and innovative products allow artists to break out of restrictive boundaries, what occurs is an opening of subsequent doors. Once our standard testing of a new product is complete, we proceed to experiment with the knowledge that visions are not abandoned because of product limitations
By Michael Townsend Over the last few years we at Golden Artist Colors have been hearing from more and more photographers who are experimenting with fine art materials. Through our conversations we began to learn about some new trends in photography. We were fortunate that three professional artists, that we
By: Gallery Director, Jim Walsh Golden Artist Colors has forged unique relationships with artists for decades. Paints, mediums, varnishes, application techniques and archival practices have been explored and developed in collaboration with artists around the world. The opportunity to exhibit some of the works of these artists and collaborations came
By: Gallery Director, Jim Walsh ‘Darryl Hughto: Diamonds’ focuses on a body of work by Hughto that had wide exposure in commercial galleries during the period of their execution but that had not been the subject of a retrospective examination in decades. The methodology of the making of these paintings
By: Scott Bennett The following new colors will be available in stores in the early part of 2010. It may be possible some time in the future that they will also be available in the Fluid Acrylics line. All are rated I for lightfastness, Excellent for permanency, and are single
Mark Golden: Let me start by asking about your first interest in art — was there some time during childhood that you had an avid interest in drawing or any kind of visual arts? Sarah Sands: Nothing passionate.By the time I got to high school I had copied some album
When Sarah Sands wrote “The Subtleties of Color” in our last issue of Just Paint (#21) we assembled the entire Tech Support Services team to review the enormous number of exquisite drawdowns that had been created to then generate all the spectral data. All the members, being incredible color
