As part of the Custom Lab’s efforts to increase visibility of and experimentation with new materials, we are pleased to share with you some of the products we have recently developed. As these are experimental products, availability may require longer lead times. Mike Townsend of GOLDEN Technical Support has reviewed
We are proud at Golden Artist Colors, Inc. to be toolmakers for some of the most talented visual artists in the world. We have worked hard to produce innovative and imaginative tools for artists dedicated to preserving the legacy of our times. Our goal has been that by simply listening
“Test for your application.” So runs the common coda that ends many of our emails and closes our conversations. At the most fundamental level, it simply means trying out a new material or technique in a way that closely mimics how you hope to use it. Other times it requires
In our first issue of Just Paint in 1987, I shared the following story: A new employee was hired on a construction crew to paint the yellow line in the center of the road. On the first day, with great zeal, he painted 10 miles of line. On the second
Mark Golden, CEO of Golden Artist Colors, Inc., was recently recognized by the Manufacturers Association of Central New York (MACNY) with a 2005 Wall of Fame Award. MACNY represents the interests of hundreds of employers, mostly manufacturers, in Central New York. Mark accepted the award at the 92nd Annual Dinner
By Sarah Sands This article examines the technical aspects of creating “luminous effects” in acrylic painting. By “luminous effects” we primarily refer to the use of transparent layers, called glazes, to create a sense of luminous, glowing color and depth. We will not touch upon Fluorescent or Phosphorescent pigments, which
First the bad news: We have been forced to discontinue our most venerable color, a color we introduced to the marketplace, and one that soon became our signature color – Quinacridone Gold. The pigment manufacturer will no longer support the required pigment, and despite an exhaustive search, there is simply
By Dana Rice You’re seated at a white clothed table in an uptown restaurant; the chef has just placed an incredible creation down in front of you. You take a bite and a complex mixture of flavors and spice awaken your palette. You can’t quite put your finger on it,
In 2003, Dr. Gregory Smith began his tenure as the first Samuel Golden Research Fellow at the National Gallery of Art in Washington, D.C. The project collaborators – Golden Artist Colors, Inc., the National Gallery of Art, Tate in London, and the Getty Conservation Institute in Los Angeles – were
Professor Frank N. Jones Coatings Research Institute Eastern Michigan University This article will compare acrylic and oil artist paints from the point of view of a scientist who specializes in coatings. It is not meant to be the “end-all” source on the topic. However, it is meant to
