I think that after a 60-year history of acrylic coatings that we would have a good understanding, with very specific data, on the longevity of acrylics in outdoor environments. I have seen exposure test samples of original acrylics from the Rohm & Haas test facility outside Philadelphia of a coated wood panel set out in … Weiterlesen
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After years of collaboration with our customers and suppliers, our research and development team at GOLDEN is proud to see the fruits of our labor rolled out as a truly innovative new paint system, GOLDEN OPEN Acrylics. GOLDEN OPEN represents the culmination of years of our chemists’ lives, thinking, brewing and partnering to determine how … Weiterlesen
QUESTION: What brushes are best suited for use with GOLDEN OPEN? ANSWER: As with any artist material or technique, it is results that count, and brushes are no exception to the rule. Indeed, which brush you choose can play a critical role in allowing these revolutionary paints to achieve their greatest potential. When compared to … Weiterlesen
By Scott Bennett Introduction What is an “Experimental Product”? GOLDEN Experimental Products are a series of limited-production, custom materials made available to the professional artist wishing to engage in experimentation and push the technical boundaries of their work with developmental materials. Although availability is limited, all GOLDEN Experimental Products have passed the basic requirements for freeze/thaw … Weiterlesen
By Sarah Sands Introduction The intertwining history of paint and print, of the weightless image and the tactile touch of brush on canvas, is both a long and complicated one. For much of the last century photography and painting developed along very divergent lines, their unique materials and processes keeping them safely sequestered in their … Weiterlesen
This article is an attempt to establish a common language and an understanding of acrylic dispersion grounds, the attributes of the grounds and how those attributes function within the painting. This article will conclude with a very needed but mostly ignored effort to understand the development and necessity for a quality standard for grounds. Common … Weiterlesen
Over the last year we have seen a sharp increase in the number of adhesion failures associated with the use of pre-primed canvases made by a variety of manufacturers. Obviously this has alarmed artists and raises potentially serious issues around the long-term stability of artwork done on these supports. In addition, because the failures have … Weiterlesen
By Sarah Sands Einleitung Auf unserer Website finden Künstler zu jeder Farbe, die wir herstellen, umfangreiche Informationen neben einem sehr anschaulichen virtuellen Drawdown. Wenn sie gefragt würden, wie die Farbe aussah, oder gebeten würden, einen ähnlichen Farbton zu mischen, würden die meisten instinktiv das Bild als Anhaltspunkt wählen. Einige würden sich jedoch nach dem Namen … Weiterlesen
By Scott Bennett Color Travel Interference COLORS No, this is not a misprint. The product category is actually called Color Travel Interference Colors. This means that as the viewing angle changes, the colors shift dramatically. Similar to the Interference Oxides, they use oxide-coated micas. The unifying color effect among the Interference Oxides and these new … Weiterlesen
Artists now have access to a centralized repository of information to assist them in making intelligent choices about the materials they use. This newly created resource is The Art Materials Information and Education Network (AMIEN). Its mission is to provide comprehensive, up-to-date, accurate and impartial information about artists’ materials to artists, art historians, conservators, educators, … Weiterlesen
