With the advent of new composite materials, artists today are able to take advantage of lightweight, dimensionally stable supports that offer a smoothness unattainable through traditional surface preparation. These “modern” substrates require little to no preparation, come in a variety of thicknesses and can range from transparent and glossy to matte and opaque. Many of these supports … Read more
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Archive | Acrylics
Introduction The creation of a mural should begin long before ladders, scaffolding, and cherry-pickers are on site. Although we have amassed extensive information about mural painting, the conversation about how to go about estimating products could use some expansion. When preparing to paint a mural, the creation of a maquette helps ensure the appropriate amount … Read more
Brushes carry our paint from the palette to the canvas. They give us control over our marks and assist us in handling paint and mediums. Therefore, brushes are an important tool for any painter and worth looking into deeper. At GOLDEN, we produce paint in three different mediums: oils, acrylics, and watercolors. Not every brush … Read more
INTRODUCTION Typical waterborne acrylic paints and mediums dry relatively quickly due to the evaporation of water and some other volatile components. Traditional uncovered palette systems only work well with acrylics if you are working very quickly because of this fast dry time. Our very slow-drying OPEN Acrylics are an exception, but for the purpose of … Read more
The EuACA’s Technical Committee has put together a document with best practice advice for oil painters working in thick layers. We are pleased to share this document so more artists can access this information. We have added links to relevant Just Paint articles and application sheets at the bottom of this page. The European Artists’ … Read more
If you are working with mixed media, the best display solution is usually behind UV-protective glass. This provides ultimate protection against UV-light, dirt and dust. If you decide against mounting behind glass, then varnishing or top coating can be the next best option, however, that can become tricky when mixed media pieces contain sensitive materials. … Read more
In 2009, a chemist at Oregon State University named Mas Subramanian and his team discovered a new blue pigment named YInMn Blue after the elements of which it was created; a mixture of yttrium, indium and manganese oxides. This pigment was approved for commercial use in 2017 and now finally approved for artist paints … Read more
Early in our efforts here to be good stewards of our environment, we had to learn how to deal with our manufacturing waste. We began this business 40 years ago in a barn on the site of my folk’s retirement home. The well they drew water from was only 20 feet away from the barn. … Read more
Grounds are selected to provide the proper color, level of absorbency and tooth to meet an artist’s needs. Oil painters have the extra concern of protecting from oil penetration into the substrate, which can mean more coats, and often additional time spent in preparation. This article looks at a couple of our popular grounds … Read more
There are five key aspects directly influencing the lifespan and overall durability of an exterior mural: the environment in which the mural will be placed the paint system used the base surface upon which the mural will reside the preparation of and products directly upon the substrate’s surface the final protective topcoat Usually, the environment … Read more
