Over the years we have seen increasing interest in matte paints, especially those thin enough to create a smooth, brushstroke-free finish. While we have had a few matte paint lines in the past, none of these truly matched the performance properties that were desired by artists. Thus we set out to make a better matte … Read more
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Introducing SoFlat Acrylic Colors SoFlat is our newest product line created in direct response to the artists we speak with every day to fulfill the desire for a matte, leveling and opaque paint. Flat in sheen and flat in application, these acrylics are bold, intense, luxurious, velvety and a joy to use! As Art Materials … Read more
With the advent of new composite materials, artists today are able to take advantage of lightweight, dimensionally stable supports that offer a smoothness unattainable through traditional surface preparation. These “modern” substrates require little to no preparation, come in a variety of thicknesses and can range from transparent and glossy to matte and opaque. Many of these supports … Read more
Introduction The creation of a mural should begin long before ladders, scaffolding, and cherry-pickers are on site. Although we have amassed extensive information about mural painting, the conversation about how to go about estimating products could use some expansion. When preparing to paint a mural, the creation of a maquette helps ensure the appropriate amount … Read more
Brushes carry our paint from the palette to the canvas. They give us control over our marks and assist us in handling paint and mediums. Therefore, brushes are an important tool for any painter and worth looking into deeper. At GOLDEN, we produce paint in three different mediums: oils, acrylics, and watercolors. Not every brush … Read more
INTRODUCTION Typical waterborne acrylic paints and mediums dry relatively quickly due to the evaporation of water and some other volatile components. Traditional uncovered palette systems only work well with acrylics if you are working very quickly because of this fast dry time. Our very slow-drying OPEN Acrylics are an exception, but for the purpose of … Read more
Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a toothier surface as well as … Read more
If you are working with mixed media, the best display solution is usually behind UV-protective glass. This provides ultimate protection against UV-light, dirt and dust. If you decide against mounting behind glass, then varnishing or top coating can be the next best option, however, that can become tricky when mixed media pieces contain sensitive materials. … Read more
In 2009, a chemist at Oregon State University named Mas Subramanian and his team discovered a new blue pigment named YInMn Blue after the elements of which it was created; a mixture of yttrium, indium and manganese oxides. This pigment was approved for commercial use in 2017 and now finally approved for artist paints … Read more
Early in our efforts here to be good stewards of our environment, we had to learn how to deal with our manufacturing waste. We began this business 40 years ago in a barn on the site of my folk’s retirement home. The well they drew water from was only 20 feet away from the barn. … Read more
