Introduction Our Lab, in conjunction with the Materials and Applications Specialists Department, recently updated the lightfastness testing for the entire QoR Watercolor line. Our testing methods employed a significantly expanded range of dilutions with water as well as incorporating, for the first time, tints with titanium white to more accurately simulate how artists use watercolor. The … Read more
Home>Color> Research> Watercolors > Recent QoR Lightfast Testing
About Scott Fischer
View all posts by Scott Fischer --> Archive | 
Scott Fischer
';
;
At GOLDEN, we want artists to be able to focus on creating without worrying about their materials. That’s why we put so much effort into ensuring that our products are of the highest quality. We believe that the key to creating the best art materials lies in rigorous testing and a commitment to performance. We … Read more
What is interesting about GOLDEN Artist Acrylics is that they all have unique properties that can modify our painting experience. Many of our product offerings have come out of a dialogue with artists who expressed their needs and each has been thoughtfully designed as a result. Since the catalogue of our products is vast, it … Read more
Genuine Indian Yellow was prized for its transparency, depth of color and mixing properties with notable applications in landscape painting. Its origin was and is still, a curiosity. Recently, a 19th c. sample of Indian Yellow pigment was generously donated to Golden Artist Colors by Brian Baade, Paintings Conservator and Assistant Professor of Art Conservation … Read more
When the opportunity presents itself, we always try to share results from testing being done at GOLDEN, especially when we think it would be of interest and benefit to artists. We know artists love Fluorescent colors and having recently revisited lightfast testing of our Heavy Body Fluorescents, we thought this would be a great way … Read more
With the advent of new composite materials, artists today are able to take advantage of lightweight, dimensionally stable supports that offer a smoothness unattainable through traditional surface preparation. These “modern” substrates require little to no preparation, come in a variety of thicknesses and can range from transparent and glossy to matte and opaque. Many of these supports … Read more
';
;
Color can be a complex and overwhelming subject, so in this article we hope to shed some light on the subject of neutralizing color, or toning it down without changing the color itself or its “color identity”. We will touch upon methods using White, Gray and Black, Complements, and how the Virtual Paint MXR can function as a helpful … Read more
Despite being discontinued, GOLDEN Stop-Out Varnish for Intaglio Printmaking has remained popular in many printmaking circles for being a non-toxic alternative to traditional asphaltum and lacquer-based stop-out varnishes. While we have no plans to bring this product back into our lineup, we wanted to share a simple recipe for interested printmakers and artists who want … Read more
In response to recent questions we have received from artists about the compatibility of using our GOLDEN Acrylics and Varnishes with alcohol inks, we decided to test these materials together. Our results were varied, with varnish testing in particular having more inconsistent results than we expected due to the wide range of alcohol inks available … Read more
Artists enjoy working with many different types of media on a variety of unique surfaces and while we at GOLDEN try our best to test many of the materials available to artists, we are unable to test them all. Being able to test for inherent sensitivities to water or solvents within art materials, for example, … Read more
