Please Note: What follows is an update to long-term testing that we first wrote about in 2018. The original articles provide important background and context for understanding the current results, and can be found here: Zinc Oxide – Reviewing the Research, Zinc Oxide – Warnings Cautions and Best Practices, and FAQs Concerning Zinc Oxide (PW … Read more
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Genuine Indian Yellow was prized for its transparency, depth of color and mixing properties with notable applications in landscape painting. Its origin was and is still, a curiosity. Recently, a 19th c. sample of Indian Yellow pigment was generously donated to Golden Artist Colors by Brian Baade, Paintings Conservator and Assistant Professor of Art Conservation … Read more
many artists lack a dedicated interior location for spraying products, much less using solvents. The logical choice is to move the operation outside. However, spraying out in the open creates new challenges to be addressed, including temperature, wind, rain, and dust.
This article provides some initial testing focused on how well oil paints adhere to several non-porous surfaces without any ground preparation
White is often thought to be as much as 20% of a typical painting. Used for grounds, for opacifying, for lightening or brightening deep colors, its importance cannot be overlooked. Not only is it a critical component coloristically, but understanding the whites in your oil painting will also aid the structural integrity of your … Read more
Brushes carry our paint from the palette to the canvas. They give us control over our marks and assist us in handling paint and mediums. Therefore, brushes are an important tool for any painter and worth looking into deeper. At GOLDEN, we produce paint in three different mediums: oils, acrylics, and watercolors. Not every brush … Read more
Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a toothier surface as well as … Read more
In 2009, a chemist at Oregon State University named Mas Subramanian and his team discovered a new blue pigment named YInMn Blue after the elements of which it was created; a mixture of yttrium, indium and manganese oxides. This pigment was approved for commercial use in 2017 and now finally approved for artist paints … Read more
When oil painters visit our factory, we always show them these colors. The response is unanimously positive, especially from those who use darker tones or blacks in their work. Williamsburg has six chromatic darks that we want to feature in this article. These colors are all blends, containing a natural iron oxide or Ivory … Read more
EDITOR’S NOTE (4/14/21): Please note our recommendation for sizing before applying Oil Ground is currently being retested and this article has been changed to reflect this development. Grounds are selected to provide the proper color, level of absorbency and tooth to meet an artist’s needs. Oil painters have the extra concern of protecting from oil … Read more
