The EuACA’s Technical Committee has put together a document with best practice advice for oil painters working in thick layers. We are pleased to share this document so more artists can access this information. We have added links to relevant Just Paint articles and application sheets at the bottom of this page. The European Artists’ … Read more
Home>Uncategorized> Application> Oils > EuACA’s Best Practice Recommendations for Impasto Painting with Oil Colours
Archive | cracking
What could be more important to the longevity of a painting than the proper selection and preparation of the substrate you are working on? Having a vested interest in the success of artists using our products, we want to highlight some of the concerns coming from the field of conservation regarding surface checking and the … Read more
This article is a companion piece to Zinc Oxide – Warnings Cautions and Best Practices, published in our print newsletter, Just Paint, Issue 35, as well as our FAQs Concerning Zinc Oxide (PW 4) in Oil Paints From the start zinc oxide has lived a double life – at turns celebrated and shunned, loathed and loved. On the … Read more

FAQs Concerning Zinc Oxide (PW 4) in Oil Paints PDF version: Zinc Oxide FAQ INDEX Zinc Oxide’s Use in the Past When did artists start using Zinc White? Why was Zinc used? What did it offer? Are older paintings containing Zinc Oxide falling apart? Why do some older paintings still look good? How Does Zinc Oxide … Read more
The use of Zinc Oxide in oils has been the focus of a lot of attention lately, especially around its potential to cause an increased rate and degree of embrittlement, cracking, and cleavage of oil paint films. Passionate positions have been staked out on all sides, while various studies have been cited and pored over, … Read more