By Ben Gavett
Water, nature’s universal solvent, is the most common and most vital compound on Earth. However, even though water covers the majority of our planet’s surface, the increasing scarcity of potable fresh water is of growing concern in many regions of the world. In addition to nourishment, many other uses compete for its supply, including the manufacture of acrylic paint.
Water is the single most common component in the paint we make. Water in acrylic paints and mediums carries the polymer, pigment and additives, maintaining them in a useful state until application, whereupon it evaporates. Beyond our need for water as a paint ingredient, we need about a gallon of it to clean the production equipment and tools used for each gallon of paint we manufacture. Ultimately, both the water that evaporates from the paint during drying and that which we use for cleaning returns to the ecosystem. It disallows us from taking for granted its supply or from being apathetic to its future; to do so would be irresponsible. It is in this spirit that we long ago began pursuit of a goal to constantly improve our practices relative to the preservation and reuse of water in our products and processes.
We have made a significant advancement, just this past summer, in our efforts to achieve greater recycling of our precious water resources. We installed a Reverse Osmosis (RO) filtering system that allows us to reuse over two-thirds of our cleaning water each day. While not the endpoint of the zero discharge future we envision, it is a giant innovative step forward. These goals have been pursued over years, through research, testing and financial support from the Environmental Services Unit of the New York State Department of Economic Development.
Our wastewater treatment process still begins with a primary step where the murky wash water is flocculated and filtered to remove solids, resulting in a sludge comprised of acrylic, pigments, and diatomaceous earth filter media. The filtrate from this is remarkably clear, but is not clean. High levels of dissolved organic molecules remain. These are the remnants of the complex array of raw materials needed to produce acrylic paint, and include surfactants, glycols, and preservatives; all invisible but measurable in units of Biological and Chemical Oxygen Demand (BOD/COD). After this primary filtration, the water looks clean enough to reuse for cleaning, but isn’t, because a significant amount of skin contact and inhalation of water mist is typical in washing the paint-making equipment. Instead, our practice has been to send all of this water, via tanker truck, to the city treatment works 20 miles distant, where the BOD/COD is eliminated through aerobic and anaerobic bacterial degradation.
Using reverse osmosis to further filter the water allows us to concentrate the impurities and recover about 70 percent of the water for reuse, proportionately reducing the fuel needed for transportation, as well as the resultant diesel exhaust, taking a moderate bite out of our carbon footprint. It also directly decreases our groundwater withdrawals by the amount we are able to reuse due to this new filtration step.
Our current level of performance in this area has been achieved through a process of innovative problem solving. But unlike making a new product for delighting our customer, the goal of this effort is to recognize the responsibility of every business…of every person…to view their impact in a much larger context and to make a change. We realize that we still have many opportunities ahead to achieve greater environmental stewardship, but through a steady commitment, focus and innovation we will continue to make a difference.
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How can I do this in my own studio? There must be some things I can do to reduce my slug dumping.
Thank you.
Hello Julie, The Just Paint article “Cleaning Your Acrylic Waste Water Made Easy” might be helpful. It is about our Crash Paint Solids kit, which helps artist remove acrylic solids from waste water. Within the article are further helpful links, one to a page about purchasing the kit (which itself has a link to a video showing the kit in action), and another to an earlier article about making a do-it-yourself crash kit. We hope this information will be helpful. If you have questions about using the kit or the materials involved, our Health and Safety people are happy to talk with artists and may be reached by asking for that department when calling one of the Golden phone numbers, 607-847-6154 or
Toll-free (USA only) 800-959-6543.
I love my painting practice but I am very concerned about the environmental effects of my acrylic paints. I am using your Crash product for home use. However,
do you recommend disposing of the clear (but still full of chemicals) water at hazzardous waste facilities? How can this be handled at a small local Art School? Do you have systems figured out?
I am interested in educating the members of the art school where I go and then writing articles or lecturing at other schools. Is there printed materials that you have prepared to hand out to artists?
Hello Anne,
There is no need to dispose of the clear effluent at a hazardous waste facility. The remaining chemicals will be broken down by the microbes at the sewage treatment plant. They are not dissimilar to other house hold chemicals found in detergents, shampoos, etc. I do think it is a great system for art schools, although I’m not sure what is meant by the question as to whether we “have systems figured out”? Please expand on that. You are welcome to print and hand out any of our web-based articles.
Sincerely,
Ben Gavett
Regulatory Affairs Director