logo

Home>Artist Resources> Color > The Subtleties of Color

Archive | Sarah Sands

';

The Subtleties of Color

by
;

Small Differences That Make All the Difference Every painter knows the dance, taking a few steps back from the painting, their head tilted slightly askew, the eyes pulled tight into a squint, or the hand held in front to block off an area from view. The to and fro of action and adjustment, of sense … Read more

By Sarah Sands Introduction The intertwining history of paint and print, of the weightless image and the tactile touch of brush on canvas, is both a long and complicated one. For much of the last century photography and painting developed along very divergent lines, their unique materials and processes keeping them safely sequestered in their … Read more

';

The Nomenclature of Color

by
;

By Sarah Sands Introduction On our Web site, for every color we make, an artist will find a wealth of information running in parallel next to the much more visual presence of a virtual drawdown. If asked what the color looked like, or told to mix a similar hue, most would instinctively go to the … Read more

';

Testing for Your Application

by
;

“Test for your application.” So runs the common coda that ends many of our emails and closes our conversations. At the most fundamental level, it simply means trying out a new material or technique in a way that closely mimics how you hope to use it. Other times it requires being something of sleuth and … Read more

';

Defining “Luminous Effects”

by
;

By Sarah Sands This article examines the technical aspects of creating “luminous effects” in acrylic painting. By “luminous effects” we primarily refer to the use of transparent layers, called glazes, to create a sense of luminous, glowing color and depth. We will not touch upon Fluorescent or Phosphorescent pigments, which act by a completely different … Read more

css.php