CREATING A LEVELING GESSO GROUND OBJECTIVE:Create a beautiful, matte, level ground for painting. Not suitable as a pouring ground. GOLDEN PRODUCTS:– GOLDEN Black or White Gesso– GOLDEN Color Pouring Medium MATTE– GOLDEN Gloss Medium (if needed) TOOLS / MATERIALS:– Rigid painting surface– Container with lid for mixing and storing– Soft
Homepage CREATING A POURED PASTEL GROUND OBJECTIVE: Create a toothy level ground for use with dry media. GOLDEN PRODUCTS:– GOLDEN Pastel Ground (8 oz.)– GOLDEN Color Pouring Medium MATTE (8 oz.) TOOLS / MATERIALS:– Rigid painting surface– Container with lid for mixing and storing (16 oz.) STEP –
Translucent Matte Pour over a Drawing OBJECTIVE: Create a beautiful, matte, level surface over a drawing for painting or as a finished product, free of brush strokes or tool marks. GOLDEN PRODUCTS:– GOLDEN Fluid Acrylics Raw Umber – GOLDEN Color Pouring Medium MATTE (8 oz.) TOOLS / MATERIALS:– Rigid painting surface– Mixing
This chart provides information on pigments used in Golden Acrylics. Pigment density is one of many factors affecting the behavior of acrylic paints within color pours. Generally, heavier pigments will have a tendency to sink and lighter pigments could rise to the surface. To see a larger image, click here to
What could be more important to the longevity of a painting than the proper selection and preparation of the substrate you are working on? Having a vested interest in the success of artists using our products, we want to highlight some of the concerns coming from the field of conservation
GOLDEN Color Pouring Medium Matte (CPM Matte) is a very new and exciting product for 2019. Unlike most acrylic mediums that develop an initial “skin” when drying, this medium avoids skinning over and therefore is quite resistant to “crazing”. The added benefit is this process allows for air bubbles and
Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a
Welcome to Just Paint – our long-form love affair with materials and our commitment to the professional arts community. This issue shares some recent activities at GOLDEN, including our latest Gallery show featuring extraordinary work by Ann Walsh. Ann Walsh: Colors, to some might sound a bit too expansive, but
You would think that we would know more by now; that the questions would be answered, the arguments settled. But we don’t, and they aren’t. Even basic and fundamental issues continue to remain unaddressed by research. Will cold-pressed or alkali-refined linseed oil yellow more? Do historical and traditional processing methods
Golden Artist Colors’ new Materials & Applications Specialist is working from her studio in Frankfurt, Germany and gives us our first Materials Support staff in Europe. She has the ability to serve customers in both English and German, strengthening our commitment to artists by answering their questions and assisting with
