GritOMeter

Welcome to the Grit-O-Meter! We’ve ordered our mediums and grounds from smooth to gritty in an effort to show you how they may be used as grounds for Acrylics, Oils, Watercolors, and Dry Drawing Media, or as acrylic mediums for creating texture in your paintings. The Meter runs from smoothest at

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Pouring

POURING https://vimeo.com/335240639 Pendulum Pour: Pour using Matte Pouring Medium to create intricate lines and patterns or Gloss Pouring Medium for a more organic free form pattern. Applying a Leveling Gesso Ground: Discover how to create a beautiful self-leveling gesso ground free of brush strokes or tool marks. Pouring a Leveling Pastel

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Black Gesso Pour

CREATING A LEVELING GESSO GROUND OBJECTIVE:Create a beautiful, matte, level ground for painting. Not suitable as a pouring ground. GOLDEN PRODUCTS:– GOLDEN Black or White Gesso– GOLDEN Color Pouring Medium MATTE– GOLDEN Gloss Medium (if needed) TOOLS / MATERIALS:– Rigid painting surface– Container with lid for mixing and storing– Soft

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Pastel ground pour

Homepage CREATING A POURED PASTEL GROUND OBJECTIVE: Create a toothy level ground for use with dry media.   GOLDEN PRODUCTS:– GOLDEN Pastel Ground (8 oz.)– GOLDEN Color Pouring Medium MATTE (8 oz.)   TOOLS / MATERIALS:– Rigid painting surface– Container with lid for mixing and storing (16 oz.)    STEP –

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Translucent Matte Pour over a Drawing

Translucent Matte Pour over a Drawing OBJECTIVE: Create a beautiful, matte, level surface over a drawing for painting or as a finished product, free of brush strokes or tool marks.  GOLDEN PRODUCTS:– GOLDEN Fluid Acrylics Raw Umber – GOLDEN Color Pouring Medium MATTE (8 oz.) TOOLS / MATERIALS:– Rigid painting surface– Mixing

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Pigment Density

This chart provides information on pigments used in Golden Acrylics. Pigment density is one of many factors affecting the behavior of acrylic paints within color pours. Generally, heavier pigments will have a tendency to sink and lighter pigments could rise to the surface. To see a larger image, click here to

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Surface Checking and Plywood, Is It a Concern?

What could be more important to the longevity of a painting than the proper selection and preparation of the substrate you are working on? Having a vested interest in the success of artists using our products, we want to highlight some of the concerns coming from the field of conservation

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Acrylic or Watercolor Underpainting for Oils

Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a

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From Mark Golden

Welcome to Just Paint – our long-form love affair with materials and our commitment to the professional arts community. This issue shares some recent activities at GOLDEN, including our latest Gallery show featuring extraordinary work by Ann Walsh. Ann Walsh: Colors, to some might sound a bit too expansive, but

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