Below are mixing ratios for historically important colors and some recently discontinued GOLDEN colors. We have tried to duplicate each hue as closely as possible, however, pigments often have unique attributes which make exact color matching impossible. When using this guide bear in mind which characteristics are important for your application, such as chroma, opacity/translucency, masstone, undertone, etc. Also note that some historical pigments are much grittier than their refined counterparts. If this is significant to your work, a textural medium can be added, such as GOLDEN Acrylic Ground for Pastels, to mimic the roughness. Transparency also can greatly vary depending on the source of the pigment and the strength of each mixture.
Note: The below mixes are ratios, meaning the mixes have a relationship between each other. They are NOT based on percentage (100%). For example to create an Alizarin Crimson (Alternative Match) mix 10 parts of Quinacridone Violet to 12 parts Quinacridone Burnt Orange. In a sense mix 10 drops (or dollops) to 12 drops of each color respectively in order to match Alizarin Crimson.
Table 1: Color Matches Using GOLDEN Heavy Body Acrylics
Historical Color To Match |
Part 1 | Part 2 | Part 3 | Part 4 | Part 5 |
---|---|---|---|---|---|
Alizarin Crimson | Quinacridone Crimson | ||||
Alizarin Crimson (Alternative Match) | Quinacridone Violet (10) | Quinacridone Burnt Orange (12) | |||
Hooker’s Green (1) | Jenkin’s Green | ||||
Hooker’s Green (2) | Anthraquinone Blue (1) | Nickel Azo Yellow (3) | |||
Indian Yellow | Nickel Azo Yellow (15) | Transparent Pyrrole Orange (1) | Regular Gel (Gloss)(50) | ||
Malachite | Titanium White (8) | Phthalo Green (BS)(3) | Cobalt Titanate Green (4) | ||
Naples Yellow | Titan Buff (20) | Yellow Oxide (2) | Diarylide Yellow (1) | ||
Naphthamide Maroon (Masstone) | Quinacridone Violet (11) | Quinacridone Burnt Orange (11) | Dioxazine Purple (2) | Carbon Black (0.7) | |
Naphthamide Maroon (Undertone) | Quinacridone Violet (11) | Quinacridone Burnt Orange (12) | Dioxazine Purple (2) | ||
Sap Green | Quinacridone Gold (30) | Phthalo Green (YS)(10) | Quinacridone Magenta (1) | ||
Sepia | Raw Umber (20) | Burnt Sienna (3) | Carbon Black (0.7) | ||
Smalt | Ultramarine Blue (5) | Naphthol Red Light (0.4) | Red Oxide (0.15) | Regular Gel (Gloss)(10) | Acrylic Ground for Pastels (6) |
Terra Rosa | Red Oxide (10) | Yellow Ochre (1) | |||
Terre Verte | Cobalt Green (1) | Cobalt Titanate Green (8) | Regular Gel (Gloss)(40) | ||
Van Dyke Brown | Burnt Umber (20) | Quinacridone Burnt Orange (0.5) | Carbon Black (0.3) | ||
Venetian Red | Red Oxide | ||||
Viridian Green | Cobalt Green (2) | Phthalo Blue (GS)(1) | Phthalo Green (BS)(6) | Zinc White (14) | Regular Gel (Gloss)(20) |
Vermillion | Quinacridone Red |
Table 2: Color Matches Using Just the GOLDEN Color Mixing Guide Set of Colors
Historical Color to Match | Titanium White | Zinc White | Quinacridone Magenta | Naphthol Red Light | Hansa Yellow Medium | Phthalo Green (BS) | Phathalo Blue (GS) | Yellow Ochre | Regular Gel (Gloss) |
---|---|---|---|---|---|---|---|---|---|
Alizarin Crimson | 100 | 25 | 3 | ||||||
Asphaltum | 25 | 50 | 3 | ||||||
Aureolin | 5 | 30 | 9 | ||||||
Cobalt Violet | 15 | 40 | 2 | 15 | 50 | ||||
Coblat Violet Deep | 10 | 30 | 18 | ||||||
Hooker’s Green | 2 | 8 | 9 | 8 | |||||
Indian Yellow | 2 | 30 | .1 | ||||||
Malachite | 40 | 11 | 30 | 12 | |||||
Manganese Blue | 70 | .5 | 15 | 50 | |||||
Manganese Violet | 3 | 38 | 3 | .2 | 12 | ||||
Naples Yellow | 30 | 20 | 30 | ||||||
Olive Green Deep | 20 | 40 | 18 | ||||||
Prussian Blue | 30 | 15 | 20 | ||||||
Sap Green | 15 | 60 | 20 | ||||||
Sepia | 40 | 5 | 25 | 15 | |||||
Smalt | 40 | 5 | 10 | 100 | |||||
Terra Rosa | 16 | 50 | 41 | .8 | |||||
Terre Verte | 23 | 10 | 12 | 7 | 50 | ||||
Van Dyke Brown | 40 | 30 | 8 | ||||||
Venetian Red | 10 | 40 | 26 | 1 | |||||
Viridian Green | 1 | 3 | 20 | 10 | 15 | ||||
Vermillion | 7 | 27 | 20 | 5 | .3 |
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