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By Ulysses Jackson Silverpoint / Drawing Ground In past Just Paint newsletters, Golden Artist Colors has highlighted many new Experimental Products covering a wide range of unique working qualities. Many of these products being produced as experiments had a short life span. However, some have gained a significant response from the artist community and continue … Read more
By Patti Brady When I first heard about the new Digital Mixed Media products, I was totally flummoxed. The word “digital” meant that I was in deep trouble. I have enough trouble sizing my digital images, much less the idea of messing with printers or software programs like Photoshop®! I love paint. I love drippy, … Read more
I think that after a 60-year history of acrylic coatings that we would have a good understanding, with very specific data, on the longevity of acrylics in outdoor environments. I have seen exposure test samples of original acrylics from the Rohm & Haas test facility outside Philadelphia of a coated wood panel set out in … Read more
After years of collaboration with our customers and suppliers, our research and development team at GOLDEN is proud to see the fruits of our labor rolled out as a truly innovative new paint system, GOLDEN OPEN Acrylics. GOLDEN OPEN represents the culmination of years of our chemists’ lives, thinking, brewing and partnering to determine how … Read more
QUESTION: What brushes are best suited for use with GOLDEN OPEN? ANSWER: As with any artist material or technique, it is results that count, and brushes are no exception to the rule. Indeed, which brush you choose can play a critical role in allowing these revolutionary paints to achieve their greatest potential. When compared to … Read more
By Scott Bennett Introduction What is an “Experimental Product”? GOLDEN Experimental Products are a series of limited-production, custom materials made available to the professional artist wishing to engage in experimentation and push the technical boundaries of their work with developmental materials. Although availability is limited, all GOLDEN Experimental Products have passed the basic requirements for freeze/thaw … Read more
By Sarah Sands Introduction The intertwining history of paint and print, of the weightless image and the tactile touch of brush on canvas, is both a long and complicated one. For much of the last century photography and painting developed along very divergent lines, their unique materials and processes keeping them safely sequestered in their … Read more
This article is an attempt to establish a common language and an understanding of acrylic dispersion grounds, the attributes of the grounds and how those attributes function within the painting. This article will conclude with a very needed but mostly ignored effort to understand the development and necessity for a quality standard for grounds. Common … Read more
Over the last year we have seen a sharp increase in the number of adhesion failures associated with the use of pre-primed canvases made by a variety of manufacturers. Obviously this has alarmed artists and raises potentially serious issues around the long-term stability of artwork done on these supports. In addition, because the failures have … Read more
By Sarah Sands Introduction On our Web site, for every color we make, an artist will find a wealth of information running in parallel next to the much more visual presence of a virtual drawdown. If asked what the color looked like, or told to mix a similar hue, most would instinctively go to the … Read more
