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Scott BennettThis is a common question that we field here in the Materials & Applications Specialists department. The answers are varied and depend a lot on the specific application, performance requirements, and placement or location of the artwork or object. But, before any discussion can begin, we need to define what we mean by the term … Read more
Introduction Typical regular drying waterborne acrylic paints tend to dry quickly and when painting outdoors with wind, sun and warm temperatures they will dry even faster. This can make painting outdoors much more challenging with acrylics unless you are working very fast with “one shot” paintings. Our OPEN Acrylics can be a very effective solution … Read more
INTRODUCTION Typical waterborne acrylic paints and mediums dry relatively quickly due to the evaporation of water and some other volatile components. Traditional uncovered palette systems only work well with acrylics if you are working very quickly because of this fast dry time. Our very slow-drying OPEN Acrylics are an exception, but for the purpose of … Read more
There are many options for acrylic painting grounds. While Gesso is the most commonly used ground, almost any GOLDEN acrylic paint, medium, gel or paste can be used alone or in just about any combination to create a large range of unique surfaces for painting. Brush application can be time consuming as Gesso or other … Read more
As acrylic painters we thin our paints with water to lower viscosity and make thin washes. Many of us also use mediums to alter consistency and viscosity and make translucent glazes. But, it is not always obvious how and when to use these mixtures, or how versatile they can be. Acrylics’ natural versatility allows for … Read more
Rolling acrylic paintings for storage and shipping is a fairly common practice, and many painters have likely rolled, un-rolled, and re-rolled their own paintings with some success. However, while we know it can be done, it is still not our best recommendation. There are definite risks to be aware of, such as the imprinting or … Read more
You may have noticed the letters “C.P.” preceding the names of our GOLDEN Acrylic Cadmium colors, or come across “(CC)” as part of the cadmium pigment listing found on the back of labels and in pigment ID charts. And…you may have wondered what they mean. This has been a common question over the years and so … Read more
You might have recently noticed that we updated our labels for Grounds, Mediums and Gels to aim for better clarity, accuracy and simplicity. While reviewing the labels, we decided to both standardize the descriptions of all of these products and double check the accuracy of the sliders which help convey opacity, sheen and thickness. In … Read more
We’ve all seen Iridescent and Interference effects when viewing soap bubbles, oil slicks, flower petals, bird feathers, and more. They are fairly common in the natural world. If they are somewhat less common in artwork, it might simply be that they still represent new and unexplored possibilities for most people, even after being part of … Read more
Overview: An acrylic “skin” is a dry acrylic film that can be made of paint, medium or a combination of paint and medium, that is not attached to any substrate. While acrylic skins can be made with just about any GOLDEN Acrylic Medium, Gel, Paste or Paint, our Fluid Acrylics work particularly well since the … Read more
