We’ve all seen Iridescent and Interference effects when viewing soap bubbles, oil slicks, flower petals, bird feathers, and more. They are fairly common in the natural world. If they are somewhat less common in artwork, it might simply be that they still represent new and unexplored possibilities for most people, even after being part of … Read more
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The doors of the Sam and Adele Golden Gallery opened on April 9th for the 4th annual Made in Paint exhibition, highlighting the works of last year’s artists-in-residence. Over 300 people attended the opening night with many more visitors stopping by to see the exhibition before it came down in August. Several of the artists … Read more
When Mark Gottsegen, a well-known educator and expert in artist materials, passed away in the Fall of 2013, an unbelievable amount was lost. Not least among them was AMIEN, the much beloved discussion forum on art materials that he founded. For Mark, AMIEN was his dream. From his desire to educate and provide real information … Read more
Dirt damages the beautiful surface of watercolor on paper, and ultraviolet light fades delicate washes. Watercolor paintings need protection when on display. Acrylic sheeting and art conservation glazing options have widened the choices beyond traditional framing behind glass. However, museum-grade UV non-reflective glass and acrylic glazing can be expensive and add weight when shipping artwork. … Read more
Fortune is said to favor the bold. If so, when Kikuo Saito left Japan in 1966, at age twenty-seven, to take up residence in New York City, his bold and uncertain decision enjoyed Fortune’s broad and generous smile, and continued to do so for five decades of engagement, experimentation and development. Saito’s background in painting … Read more
When Mark Gottsegen, a well-known educator and expert in artist materials, passed away in the Fall of 2013, an unbelievable amount was lost. Not least among them was AMIEN, the much beloved discussion forum on art materials that he founded. For Mark, AMIEN was his dream. It was from this desire to educate and to … Read more
The Material Specialists here at Golden Artist Colors are often requested by artists to diagnose the reasoning for problems occurring in their paintings based solely upon their words used to guide us. One of the most common emails or calls require the understanding of whether the artist is discussing a crack versus a craze … Read more
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Editor’s Note 3/8/21 With YInMn Blue having been out for a while now, and with a lot of questions received and answered since this piece was published, we wanted to briefly provide an update: As noted in the article, the pigment has some unique strengths, being considered extremely lightfast, durable, and chemically resistant, as well … Read more
If a single color embodies the dividing line between pigments considered suitable for permanent works of art, and those that are suspect and poor in lightfastness, Alizarin Crimson (PR 83) would be it. And yet it is still used by many artists who are drawn to it in spite of its many problems. Some of … Read more
While the practice of pouring artist paints is certainly not a new way to apply paint, achieving consistent results can be frustrating and costly. However, it is vital to the process to conduct experiments to gain the knowledge of what are the most critical controlling factors which preside over paint pours. Studio Preparation One sure … Read more
