We are sad to announce that after October 31, 2020 we will no longer be able to offer QoR Permanent Scarlet watercolor, as the PR 168 pigment used to make this paint has been discontinued and is no longer available. The artist paint industry is often subject to the whims of the general chemical industry … Read more
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About Cathy Jennings
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Cathy Jennings
Introduction When QoR Modern Watercolor was introduced to the painting world in 2014, we were so delighted with the color intensity and workability that we overlooked introducing the mediums and additives that were an integral part of the introduction of the line. So although six years later, we hope to make up for that neglect … Read more
For artists who push the boundaries of traditional watercolor, work in sizes large enough that framing is not practical, or just dislike the barrier created by glass, varnish is a valuable option for protecting their paintings.1 Varnishing is likely to alter color, value, contrast, granulation, and the appearance of the paper in a watercolor painting. … Read more
Whether your QoR mini needs a refill, or you wish to use QoR colors in your tried-and-true travel palette, QoR tube paints work beautifully in pans and half pans. Due to QoR’s modern formula, the dry tube paint will re-wet easily and provide the intense saturation or quiet subtlety expected of a QoR watercolor. We … Read more
QoR Masking Fluid is a ready-to-use, removable liquid made with natural latex which may be applied to watercolor paper or watercolor ground before painting. Once dry, the Masking Fluid will resist paint, allowing watercolor artists to preserve fine details and lines of white paper that might be difficult to paint around in traditional transparent watercolor … Read more
Introduction: If you seek an easy way to take watercolors on plein air painting adventures, the QoR mini with its half pans of luscious watercolors is awaiting your brush! The QoR mini is a travel set that provides twelve half pans of dry QoR Modern Watercolor paints in a small closeable metal palette ready for on-site or studio … Read more
The description “earth pigment” originally indicated both a natural material mined from the earth, and ancient iron oxide colors dominated by browns, tans, golden yellows, and rusty oranges. These are the painters’ traditional Sienna, Ochre, and Umber color families. Natural pigments now have synthetic siblings that greatly expand the earth color family. Synthetic iron oxides … Read more
When painting on watercolor paper with transparent watercolor, the paper often buckles and stays that way once the painting is dry. This article offers one possible way to flatten the paper using a temporary ‘paper press.’ This method is appropriate for paintings composed of thinly applied glazes and washes of transparent watercolor on paper, and … Read more
This article briefly explores the permanent changes created by varnishing transparent watercolor on paper, in particular the aesthetic changes to color, value, texture, and sheen. Keep in mind that varnishing also changes the nature of the painting through the permanent addition of acrylic. While there are several approaches to varnishing watercolor, we only focused on … Read more
When water is applied to paper, the fibers can soak up liquid and expand. This may create the infamous buckles and cockles that can be the bane (or joy) of those who paint with watermedia. This article reports on what happened when High Flow Acrylics and Heavy Body Acrylics were applied to Arches 140 lb. … Read more
