If comparing GOLDEN’s Neutral Gray series to the Munsell® Grey Scale that they are based on, you might quickly realize that one step is missing – namely N9, the Munsell® gray that is one step below pure white. And clearly the natural question is why? When the Neutral Grays were
Most painters have a sense of how to prepare panels for oil and acrylic paintings when they are meant to be shown indoors, and we even published a couple of Just Paint articles on the topic: Understanding Wood Supports for Art – A Brief History Plywood as a Substrate for
We’ve just passed several milestones here at GOLDEN. In June we celebrated our 35th year in business and Barbara and I, our 40th wedding anniversary. Both events began on my folks’ farm and the home of Golden Artist Colors. This year also marks some wonderful beginnings. QoR® Watercolor has had
From the earliest times, the darkest shades of natural brown earths, known as Umbers, have been a part of the artists’ palette. Ranging in tones from the greener Raw Umbers, which produce a range of neutrals when mixed with white, to the warmer, dark chocolate notes of Burnt Umbers, which
Changes are difficult. As much as you want decisions to be based on facts and facts alone, there is still a wrestling that can happen. Paints, and especially color, escape being easily tied down to just quantifiable clean choices. Rather, one can be caught having to choose between love
These talented and inspiring teachers have been selected to attend the first Golden Artist Colors sponsored Educators Residency Program at the Sam and Adele Golden Foundation for the Arts. Teachers, whose students received the Scholastic Arts Award for visual arts were offered an opportunity to apply for this Residency. Scholastic
Introduction In the last issue of Just Paint we discussed why some QoR Watercolors had a Lightfastness rating of NA, or Not Applicable, while most carried the familiar ASTM Lightfastness ratings of I and II. Essentially this came about because some of the pigments being used at that point were
Editor’s Note: Added April 26, 2022 For some time, our recommendation for artists using oils over acrylic has been to work over harder, matte acrylic surfaces and avoid working on softer gels and gloss products. Our intention was to optimize the level of adhesion that would be achieved on a
I have been teaching, writing and lecturing on acrylic methods and materials for over 20 years. So, when asked to write about an A-Z Acrylics set that didn’t contain at least 1,000 different colors, mediums and additives, I thought, “well, this can’t really be Acrylics A-Z, but maybe A-B!” In
September 19 – December 11, Sam & Adele Golden Gallery, New Berlin, NY Judith Linhares explores several themes in her paintings. She is most widely recognized for her figural works. Human figures, often naked, whose limbs are vibrantly painted with ribbons of warm and cool colors, are found cooking
