In our investigation of the embrittlement of oil paints containing zinc oxide (see Sarah Sands’ 2018 article Zinc Oxide – Reviewing the Research), we made a lab trial containing titanium dioxide (PW6, “TiO2”) and 6% zinc oxide (PW4, “ZnO”) that used stand oil instead of our standard refined linseed oil. Two years later, we noticed … Read more
Home>Conservation> Oils> Research > Stand Oil for Extending the Flexibility of Zinc White Oil Paints
Archive | featured
Today’s artist has access to an abundance of colorants, including Fluorescent and Phosphorescent pigments, which are members of the “Luminescent Family”. Few, if any, other colorants rival their vibrant allure. Whether applied as paint or encapsulated in resins, glass or plastic, these materials have always held an aura of mystery and intrigue. Part of this … Read more
1. Introduction In this article we’re sharing some major changes currently taking place in the pigment world that affect the availability of natural iron oxide pigments, commonly referred to as natural earth pigments. We have a large offering of natural earth pigments, particularly in our Williamsburg Artist Oil Colors line, but also in GOLDEN Artist … Read more
Introduction In 2024 we introduced 13 pigment-containing watercolors to the QoR line and 8 Interference and Iridescent paints. We wanted a way to share the potential of these new colors with you in a manner that suggests what it might be like to have one or more on your palette. To provide this information, we … Read more
Every once in a while we receive inquiries from artists who use our products with Masterson Sta-Wet Palettes, a sealable palette system that keeps acrylic paints workable for days or even weeks by utilizing a wet sponge and permeable palette paper. Some of these artists shared that certain GOLDEN Artist Acrylic colors were changing consistency … Read more
