Oil painters concerned with fat over lean will often turn to information about the oil absorption values for particular pigments as a way to compare how oily or lean certain colors might be. However this has led to many misconceptions and outrightly wrong conclusions which seem to persist in various forums
We are surrounded by units of measure we rarely give a second thought to; common scales and rulers that parcel out the world in units of ounces and inches, meters and miles. But alongside these are others we rarely use, or could easily explain in any precise way, such as
Large paintings present an increased difficulty level when it comes time to apply an “isolation coat” or a varnish layer. Spraying in lieu of brushing makes sense when a smooth, defect-free surface is desired. After all, there are reasons vehicles are spray painted instead of using a brush! While one
Dibond is a trade name for a type of painted aluminum composite panel made by Alcan Composites. There are other brands and types of Aluminum Composite Panels that may have a bare aluminum side or different types of coatings, which may require different surface preparation. Dibond panels are made with
Any Matte or Semi-Gloss medium or Gel Medium can impart a waxy look. The specific manner in which it is applied can also increase or decrease this effect. It can be helpful to test with several mediums or gels on sacrificial pieces until you get a feel for the mediums or
The European Chemicals Agency (ECHA) recently published its final decision that Cadmium pigments will not be restricted in artist paints. You can read the entire document here: http://ec.europa.eu/growth/tools-databases/newsroom/cf/itemdetail.cfm?item_id=8530&lang=en In two previous issues of Just Paint we shared information concerning the possibility of Cadmium pigments being banned in artist paints. Just
If comparing GOLDEN’s Neutral Gray series to the Munsell® Grey Scale that they are based on, you might quickly realize that one step is missing – namely N9, the Munsell® gray that is one step below pure white. And clearly the natural question is why? When the Neutral Grays were
Most painters have a sense of how to prepare panels for oil and acrylic paintings when they are meant to be shown indoors, and we even published a couple of Just Paint articles on the topic: Understanding Wood Supports for Art – A Brief History Plywood as a Substrate for
We’ve just passed several milestones here at GOLDEN. In June we celebrated our 35th year in business and Barbara and I, our 40th wedding anniversary. Both events began on my folks’ farm and the home of Golden Artist Colors. This year also marks some wonderful beginnings. QoR® Watercolor has had
From the earliest times, the darkest shades of natural brown earths, known as Umbers, have been a part of the artists’ palette. Ranging in tones from the greener Raw Umbers, which produce a range of neutrals when mixed with white, to the warmer, dark chocolate notes of Burnt Umbers, which
