Home>Acrylics> People> the SAGG > Ann Walsh : COLORS
The exhibition, Ann Walsh: Colors at the Sam & Adele Golden Gallery through March 15, 2019 comprises twenty-four works made from 1986 through 2018. A dynamic language, enabled by color, is the thread that winds through the show. Ann Walsh’s color is amplified, saturated, buoyant, made inescapable. Color selection and color relationships are pre-eminent. Nine … Read more
January 9, 2019 marked the launch of a new outreach to artists, the Just Paint Experience – a new expression of GOLDEN expertise centered on the practical needs and perspectives of artists. Where Just Paint offers scholarly depth and detail, Just Paint Experience (referred to as “JPE” around the factory) is more quick-reading, studio-oriented content … Read more
The product development process at Golden Artist Colors is a constant collaboration between artist and paintmaker. Over time, this has resulted in the wide array of painting tools offered for today’s professional artist. We are always in a state of continuous improvement of current products as well as creating new ones that benefit the artist. For … Read more
We are excited to introduce a host of new features and improvements to our Virtual Paint Mixer (MXR). These additions were inspired by your feedback and with the hope that it becomes an even more important and enjoyable tool for artists. So, as our holiday present to you, our customers, we are releasing Mixer 1.1 … Read more
In blog posts and workshops the warnings can seem dire: add too much water, we are told, and the acrylic binder will break down, causing paint to flake off or adhesion to fail. Some will set the magical mark at 30%, others at 50, but almost universally the rules are presented without citing or showing any … Read more
EDITOR’S NOTE (4/26/23): Please note that Polymer Varnish has been discontinued and replaced with Gloss Waterborne Varnish. You can read more about it here. Mirjam Hintz completed her MA and Professional Doctorate studies in Conservation with a focus on painting from the University of Amsterdam. She is the newest member of our Materials and Applications Department, … Read more
Rolling acrylic paintings for storage and shipping is a fairly common practice, and many painters have likely rolled, un-rolled, and re-rolled their own paintings with some success. However, while we know it can be done, it is still not our best recommendation. There are definite risks to be aware of, such as the imprinting or … Read more
Support Induced Discoloration or SID describes a phenomenon that can occur when the acrylic appears to change in color upon drying. It usually takes on a yellow, orange or brown tint, due to impurities in the substrate being drawn up into the acrylic film. The discoloration occurs while the paint or medium is drying and … Read more
The key to controlling working time in acrylics lies in the ability to control the rate of evaporation of water. Once most of the water is gone, so is the ability to manipulate the paint layer. Therefore, in order to control acrylics one must control the water. This becomes increasingly important to be able to … Read more
We are pleased to announce seven new additions to the GOLDEN Heavy Body Acrylics line. This latest offering of balanced mixtures are created using lightfast pigments from our Exterior Mural list, which are then tinted with Titanium White to create convenience colors. Although relatively simple blends, they can be difficult to consistently mix by … Read more
