Every now and then we get emails from artists inquiring whether our paints are vegan. We love that and are happy to share information so artists can feel comfortable using our products without compromising on their principles. To start the discussion on the same page, here is a definition of the term ‘vegan’ by The … Read more
Welcome to the Grit-O-Meter! We’ve ordered our mediums and grounds from smooth to gritty in an effort to show you how they may be used as grounds for Acrylics, Oils, Watercolors, and Dry Drawing Media, or as acrylic mediums for creating texture in your paintings. The Meter runs from smoothest at the top to grittiest at … Read more
Welcome to the Grit-O-Meter! We’ve ordered our mediums and grounds from smooth to gritty in an effort to show you how they may be used as grounds for Acrylics, Oils, Watercolors, and Dry Drawing Media, or as acrylic mediums for creating texture in your paintings. The Meter runs from smoothest at the top to grittiest at … Read more
You would think that we would know more by now; that the questions would be answered, the arguments settled. But we don’t, and they aren’t. Even basic and fundamental issues continue to remain unaddressed by research. Will cold-pressed or alkali-refined linseed oil yellow more? Do historical and traditional processing methods lessen that? How do all … Read more
Linseed oil comes from flax seeds which are harvested from the same flax plant that produces the fibers used to make linen. Artists have been using linseed oil for centuries to make paints, mediums and varnishes. It is widely used today, not only in artist materials, but also for a wide range of industrial applications … Read more
Painter’s tapes are ubiquitous, ranging from traditional masking tapes to newer yellow, blue, and green ones that tout different levels of tack and easy release, or highlight new technologies to tightly lock down an edge. For many of us, they have also become part of the common materials found in our studios. And what’s not … Read more
Introduction This article is a companion piece to Zinc Oxide – Warnings Cautions and Best Practices, published in our print newsletter, Just Paint, Issue 35, as well as our FAQs Concerning Zinc Oxide (PW 4) in Oil Paints From the start zinc oxide has lived a double life – at turns celebrated and shunned, loathed and loved. On … Read more
The Sam and Adele Golden Foundation for the Arts is delighted to showcase the works of its 2016 Artists in Residence. The fifth Made in Paint show exhibits the works of Caitlin Albritton, FL, Ella Amitay Sadovsky, Israel, Miriam Ancis, NY, Lorene Anderson, CA, Mel Dion, PA, Martin Dull, NJ, Franklin Einspruch, MA, Mark Flowers, NC, … Read more
We’ve all seen Iridescent and Interference effects when viewing soap bubbles, oil slicks, flower petals, bird feathers, and more. They are fairly common in the natural world. If they are somewhat less common in artwork, it might simply be that they still represent new and unexplored possibilities for most people, even after being part of … Read more
Leather companies have been using acrylics to paint leather for a very long time, so it should be no surprise that Golden Artist Colors Acrylics can be used to paint leather as well. Which paint line to use and whether an additive is necessary is dependent upon the type of leather and how it was … Read more
