The Golden Virtual Paint Mixer (MXR) has been used by color enthusiasts to learn about GOLDEN Acrylics for more than 10 years. During that time, feedback from artists has helped us to improve the tool to be more accurate and useful in the studio. With these goals in mind, we
The allure of raw canvas combined with the fluidity and vibrancy of acrylic stains has captivated artists and art lovers for decades. Artists such as Helen Frankenthaler and Morris Louis, and their contemporaries in the Color Field movement revolutionized the art world with their innovative soak staining techniques, creating mesmerizing
Custom Special Edition YInMn Blue Acrylic, Oil and Watercolor Paints March 08, 2024 We are excited to announce that a limited quantity of YInMn Blue is now available for purchase through the GOLDEN online store! Available in Heavy Body Acrylic, QoR Watercolor, and Williamsburg Oil, YInMn Blue is only available
PanPastel has been with us for over a year and it’s high time that we explore the many possibilities of the pastels over acrylics. PanPastel offers some unique application and mark making options, that can’t be achieved with our wet acrylic color and non-color products. That being said, GOLDEN products
Fabric painting using your acrylic paints and GOLDEN GAC 900 are great for creating wearable artwork. Lean what products to use for your favorite techniques.
Tape is an immensely useful tool for artists and designers. It is a go-to option when masking off areas of a painting or establishing the layout of a design. Masking tapes and painter’s tapes are uniquely designed to offer low tack adhesion and easy release, making them perfect for these
If you’ve ever sanded Gesso or other acrylic products and ended up with rubbery bits and had to throw out sheets and sheets of sandpaper and less than excellent results, then you should try WET SANDING! Wet sanding is the most effective way to sand acrylics. Adding water to the
Numerous artists have asked about using acrylic mediums and gels to preserve dried organic materials, such as grasses and flowers. After one such phone conversation, we began our first test, which involved layering dry peony petals over and under thick layers of Soft Gel Gloss. The petals were from a
Current testing conducted by our Lab, led by Junior Formulator Trevor Ambrose, with the support of our Senior Formulator, Ulysses Jackson, has revealed the need to update the over 40-year-old ASTM Standards for Lightfastness of Artist Materials. While a good deal of anecdotal evidence has suggested that these standards have
Methodological Issues and the Effect of White Pigments on Fading Introduction Lightfastness is usually reported in a single word or number—a simple answer for artists questioning a color’s permanence. Although lightfastness ratings are straightforward, lightfastness assessment is actually fairly complex, and a variety of factors can influence both laboratory and
