
Alternatives to Discontinued Quinacridones
The loss of key quinacridone paint colors result in Golden Artist Colors creating recipes to recreate them for artists.
Since their introduction in 2007, PanPastel Artist Pastels have inspired the pastel world with their pan format and sponge applicators, allowing for smooth, even applications, soft fades and gradients. They combine the visual power of pure pigments with the mixability of fluid paints and can be used with almost any other drawing or painting material, ... Read more
In a previous article “The Science and Seduction of Luminescent Colorants“, we discussed what makes Fluorescent and Phosphorescent pigments unique. To summarize, electrons can be charged with light energy, causing them to become excited and temporarily jump to a higher orbit. As they release this energy in the form of photons (light), it results in ... Read more
In our investigation of the embrittlement of oil paints containing zinc oxide (see Sarah Sands’ 2018 article Zinc Oxide – Reviewing the Research), we made a lab trial containing titanium dioxide (PW6, “TiO2”) and 6% zinc oxide (PW4, “ZnO”) that used stand oil instead of our standard refined linseed oil. Two years later, we noticed ... Read more
Today’s artist has access to an abundance of colorants, including Fluorescent and Phosphorescent pigments, which are members of the “Luminescent Family”. Few, if any, other colorants rival their vibrant allure. Whether applied as paint or encapsulated in resins, glass or plastic, these materials have always held an aura of mystery and intrigue. Part of this ... Read more
The loss of key quinacridone paint colors result in Golden Artist Colors creating recipes to recreate them for artists.
All things are poison, and nothing is without poison; the dosage alone makes it so a thing is not a poison. —Paracelsus, 1538 If just joining the community of Golden Artist Colors product line users, one might not know we avoid the term “nontoxic”. It implies an absolute guarantee, and
We have been asked many times over the years to provide oil content information for Williamsburg colors, Extender Medium and Oil Grounds. To answer that request, we have created a chart organizing these products into four categories – Low, Moderate, Medium, and High oil content by volume. We have chosen
At GOLDEN, we want artists to be able to focus on creating without worrying about their materials. That’s why we put so much effort into ensuring that our products are of the highest quality. We believe that the key to creating the best art materials lies in rigorous testing and
Mixed Media Drawing and Surface Prep We are all very excited about the recent acquisition of PanPastel and welcoming it into the GOLDEN Family of products. We have been enjoying our conversations with artists who use their PanPastel Colors as part of their mixed media practice. We will in the future
The Development of a New Medium for Artists By Bernadette Ward, Co-founder PanPastel Colors & Sofft Tools We launched PanPastel Colors & Sofft Tools in August 2007, following five years of research and development. The following is a short history of the development of this new medium. The idea behind
During a 2011 interview with the British newspaper The Guardian, contemporary British painter George Thomas Shaw described Payne’s Gray as “the color of English rain” (1). This simple characterization delineates the essence of a color that nearly every painter knows. And yet, most artists could not tell you who William
Many acrylic artists paint on glass at some point in their career, either for fun or as a serious part of their practice. While there are commercially available bonding primers designed to prepare glass for painting, some artists want a crystal clear product that can be used as a primer
From its introduction, QoR offered three shimmery shiny special effect colors in tube format: Iridescent Pearl, Iridescent Silver, and Iridescent Gold. The summer of 2022, QoR added three Interference paints available in the “Reflective” six pan set: Interference Violet, Interference Blue, and Interference Green. The original three Iridescent watercolors are
Neither Warm Nor Cool Positioned between red, yellow and blue, is gray. And sometimes gray is the exact color needed to compliment higher chroma pigments on the palette. Grays can be used to desaturate colors while maintaining or shifting their value, the relative degree of lightness or darkness. They can