A Guide to Caring for Stain Paintings

The allure of raw canvas combined with the fluidity and vibrancy of acrylic stains has captivated artists and art lovers for decades. Artists such as Helen Frankenthaler and Morris Louis, and their contemporaries in the Color Field movement revolutionized the art world with their innovative soak staining techniques, creating mesmerizing compositions that celebrated the intrinsic … Read more

ASTM Lightfastness Testing for Oil Paints

WB LF Samples

Methodological Issues and the Effect of White Pigments on Fading Introduction Lightfastness is usually reported in a single word or number—a simple answer for artists questioning a color’s permanence. Although lightfastness ratings are straightforward, lightfastness assessment is actually fairly complex, and a variety of factors can influence both laboratory and real-world lightfastness outcomes. To tackle … Read more

Super Textural Painting with Acrylic

As painters, we love the myriad ways we can apply paint and move it around on a surface. Inspiration can happen most often in the action and immediacy of using the materials. The history of painting shows us a large range of ways paint can be applied and manipulated to create many different kinds of … Read more

Still GOLDEN…

We hope Just Paint has been a valuable resource for artists, educators, material scientists and conservators to allow us to share our research and insights on the range of products we produce. I am seizing this space to extend a personal thank you to all of you who have supported our products over all these decades. … Read more

Meeting a Ghost: A Sample of Genuine Indian Yellow

Genuine Indian Yellow was prized for its transparency, depth of color and mixing properties with notable applications in landscape painting. Its origin was and is still, a curiosity. Recently, a 19th c. sample of Indian Yellow pigment was generously donated to Golden Artist Colors by Brian Baade, Paintings Conservator and Assistant Professor of Art Conservation … Read more

We’re Still Here!

Collage of MAS home studio images

  Throughout the COVID-19 outbreak, we are dedicated to our service and continue to be available to answer questions and lend support for artists. We are still here; we are still available; we have just changed the environment in which we work. My name is Stacy Brock and I am the Supervisor of GOLDEN’s Materials … Read more

Why we shouldn’t patch it up: how labels and patches on canvas tears distort paintings

Patch adhered with Rabbit Skin Glue on cotton canvas, 2 weeks old.

If you ever have a stroke of bad luck and accidentally punch or tear your canvas painting, don’t patch it up. Holes and tears in stretched canvases can happen and patches can seem like an easy fix but are not recommended. Likewise, adhering labels with information about the painting on the reverse is generally a … Read more

Surface Checking and Plywood, Is It a Concern?

What could be more important to the longevity of a painting than the proper selection and preparation of the substrate you are working on? Having a vested interest in the success of artists using our products, we want to highlight some of the concerns coming from the field of conservation regarding surface checking and the … Read more

From Mark Golden

Welcome to Just Paint – our long-form love affair with materials and our commitment to the professional arts community. This issue shares some recent activities at GOLDEN, including our latest Gallery show featuring extraordinary work by Ann Walsh. Ann Walsh: Colors, to some might sound a bit too expansive, but once you walk into the … Read more

css.php