If you’ve ever wondered where it makes sense and is safe to cut corners on art supplies, while maintaining a high standard and ensuring longevity of your artwork, this article is for you. We’ll share a few simple tips on how you can make the most of your art supply
When I first started working for GOLDEN, training to become a Materials and Application Specialist, I was told that I should never give restoration advice. Coming from a painting conservation background I understood the concern and the reason behind it. GOLDEN as a company would put itself in a vulnerable
many artists lack a dedicated interior location for spraying products, much less using solvents. The logical choice is to move the operation outside. However, spraying out in the open creates new challenges to be addressed, including temperature, wind, rain, and dust.
When the opportunity presents itself, we always try to share results from testing being done at GOLDEN, especially when we think it would be of interest and benefit to artists. We know artists love Fluorescent colors and having recently revisited lightfast testing of our Heavy Body Fluorescents, we thought this
We found a version of QoR Quinacridone Red’s PV19 pigment that creates a watercolor with a stronger tint strength and will begin using it in place of the older option. QoR Quinacridone Red remains Lightfast I, transparent, non-granulating, and staining. The two paints handle and behave well. Both versions of
The world of products that can be added to acrylics to modify them for many different purposes can be a strange and confusing place. We understand that they essentially look like white products in white jars with white labels and it can be hard to understand why we have so
Introduction Typical regular drying waterborne acrylic paints tend to dry quickly and when painting outdoors with wind, sun and warm temperatures they will dry even faster. This can make painting outdoors much more challenging with acrylics unless you are working very fast with “one shot” paintings. Our OPEN Acrylics can
Michael Townsend What is Marbling? “Marbling” is the time-honored artist technique where thinned paints are placed onto a thickened “bath” usually made from carrageenan or methylcellulose. The paints float on the surface of the bath and can be manipulated into beautiful and intricate designs, then printed onto paper, fabric, or
Starting in January 2021, We are making a few changes to the labels on all of our acrylic color lines (Heavy Body, Fluid, High Flow and OPEN) to quickly and clearly provide the information that is most important to artists and to comply with a changing regulatory landscape. A survey
Over the years we have seen increasing interest in matte paints, especially those thin enough to create a smooth, brushstroke-free finish. While we have had a few matte paint lines in the past, none of these truly matched the performance properties that were desired by artists. Thus we set out
