Oil paints dry through oxidization, so access to air seems clearly important, but what about light? How much does exposure to different light levels impact the drying process? Surprisingly, for a question that seems so basic and fundamental, there is not a lot of information or test data that one can find. While a few … Read more
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Introduction This article is a companion piece to Zinc Oxide – Warnings Cautions and Best Practices, published in our print newsletter, Just Paint, Issue 35, as well as our FAQs Concerning Zinc Oxide (PW 4) in Oil Paints From the start zinc oxide has lived a double life – at turns celebrated and shunned, loathed and loved. On … Read more
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FAQs Concerning Zinc Oxide (PW 4) in Oil Paints PDF version: Zinc Oxide FAQ INDEX Zinc Oxide’s Use in the Past When did artists start using Zinc White? Why was Zinc used? What did it offer? Are older paintings containing Zinc Oxide falling apart? Why do some older paintings still look good? How Does Zinc Oxide … Read more
Now in its fifth year of collaboration, Golden Artist Colors has again partnered with the Scholastic Art and Writing Awards to celebrate educators across America who support and encourage the creative process! Lucy Harackiewicz from Westwood, MA; Elizabeth Stainton from New York, NY; and Rebecca Buchanan from Hillsboro, OR joined us at the Sam and … Read more
“Neither snow nor rain, nor heat, nor gloom of night…….” In 1992, when the town of Columbus, NY, the oldest town in the US (named after Christopher Columbus), was asked how they would be celebrating the 500th anniversary of Columbus’s arrival in America, Golden Artist Colors with support from the community, held a stirring Gallery … Read more
You may have noticed the letters “C.P.” preceding the names of our GOLDEN Acrylic Cadmium colors, or come across “(CC)” as part of the cadmium pigment listing found on the back of labels and in pigment ID charts. And…you may have wondered what they mean. This has been a common question over the years and so … Read more
The description “earth pigment” originally indicated both a natural material mined from the earth, and ancient iron oxide colors dominated by browns, tans, golden yellows, and rusty oranges. These are the painters’ traditional Sienna, Ochre, and Umber color families. Natural pigments now have synthetic siblings that greatly expand the earth color family. Synthetic iron oxides … Read more
Paint Additions Into GAC 800 for Pouring Applications Several rounds of test mixtures of GAC 800 and GOLDEN paints. By far, the most popular GOLDEN Acrylic Medium used for pouring paints is GAC 800. Our Heavy Body Acrylics, Fluid Acrylics, and High Flow Acrylic paint lines readily blend with this free-flowing medium. These mixtures will merge … Read more
You may have noticed the new labels adorning the bottles and jars in the GOLDEN Mediums, Gels, Pastes, Additives and Varnishes sections of the stores and online retailers. The new fresh look and new naming convention is our way of updating the look of our products, as well as making some of the names of … Read more
While we often report on results from lightfastness testing, we have rarely paused to actually describe the process we follow. And let’s face it, for most people stating that our tests conform to ASTM D4303, Standard Test Methods for Lightfastness of Colorants Used in Artists’ Materials, does very little to fill in the blanks. In an attempt to solve … Read more
