Mediums are important additions to the oil painter’s toolbox. They modify the feel of paint, change the surface sheen, build or reduce viscosity, and in some cases, can be the driving factor behind the aesthetic of a work. Williamsburg Handmade Oil Colors Alkyd Resin can be mixed with oil paints to improve leveling, increase transparency … Read more
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Whether your QoR mini needs a refill, or you wish to use QoR colors in your tried-and-true travel palette, QoR tube paints work beautifully in pans and half pans. Due to QoR’s modern formula, the dry tube paint will re-wet easily and provide the intense saturation or quiet subtlety expected of a QoR watercolor. We … Read more
QoR Masking Fluid is a ready-to-use, removable liquid made with natural latex which may be applied to watercolor paper or watercolor ground before painting. Once dry, the Masking Fluid will resist paint, allowing watercolor artists to preserve fine details and lines of white paper that might be difficult to paint around in traditional transparent watercolor … Read more
Linseed oil comes from flax seeds which are harvested from the same flax plant that produces the fibers used to make linen. Artists have been using linseed oil for centuries to make paints, mediums and varnishes. It is widely used today, not only in artist materials, but also for a wide range of industrial applications … Read more
You reach for a tube of Cadmium Red or Ultramarine Blue and you intuitively trust that they contain the very pigments they are named after. It’s a trust formed over years and decades of personal use, along with an assumption, an almost blind belief, that paints must surely be labeled according to definite rules. Besides, … Read more
Support Induced Discoloration or SID describes a phenomenon that can occur when the acrylic appears to change in color upon drying. It usually takes on a yellow, orange or brown tint, due to impurities in the substrate being drawn up into the acrylic film. The discoloration occurs while the paint or medium is drying and … Read more
Painter’s tapes are ubiquitous, ranging from traditional masking tapes to newer yellow, blue, and green ones that tout different levels of tack and easy release, or highlight new technologies to tightly lock down an edge. For many of us, they have also become part of the common materials found in our studios. And what’s not … Read more
Oil paints dry through oxidization, so access to air seems clearly important, but what about light? How much does exposure to different light levels impact the drying process? Surprisingly, for a question that seems so basic and fundamental, there is not a lot of information or test data that one can find. While a few … Read more
Introduction This article is a companion piece to Zinc Oxide – Warnings Cautions and Best Practices, published in our print newsletter, Just Paint, Issue 35, as well as our FAQs Concerning Zinc Oxide (PW 4) in Oil Paints From the start zinc oxide has lived a double life – at turns celebrated and shunned, loathed and loved. On … Read more
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FAQs Concerning Zinc Oxide (PW 4) in Oil Paints PDF version: Zinc Oxide FAQ INDEX Zinc Oxide’s Use in the Past When did artists start using Zinc White? Why was Zinc used? What did it offer? Are older paintings containing Zinc Oxide falling apart? Why do some older paintings still look good? How Does Zinc Oxide … Read more
