Gold leaf can be a wonderful addition to acrylic paintings, as it provides contrast in sheen and reflectance. We are often asked if it is possible to paint on top of gold leaf with acrylic paints and whether it is necessary to seal the gold leaf before doing so. The short answer is: intermediate coatings … Read more
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GOLDEN Color Pouring Medium Matte (CPM Matte) is a very new and exciting product for 2019. Unlike most acrylic mediums that develop an initial “skin” when drying, this medium avoids skinning over and therefore is quite resistant to “crazing”. The added benefit is this process allows for air bubbles and tool marks to readily disappear. … Read more
January 9, 2019 marked the launch of a new outreach to artists, the Just Paint Experience – a new expression of GOLDEN expertise centered on the practical needs and perspectives of artists. Where Just Paint offers scholarly depth and detail, Just Paint Experience (referred to as “JPE” around the factory) is more quick-reading, studio-oriented content … Read more
Mirjam Hintz completed her MA and Professional Doctorate studies in Conservation with a focus on painting from the University of Amsterdam. She is the newest member of our Materials and Applications Department, providing technical and product support for Golden Artist Colors in Europe. She lives in Frankfurt Germany. Varnishing can be a daunting task and much … Read more
Support Induced Discoloration or SID describes a phenomenon that can occur when the acrylic appears to change in color upon drying. It usually takes on a yellow, orange or brown tint, due to impurities in the substrate being drawn up into the acrylic film. The discoloration occurs while the paint or medium is drying and … Read more
The key to controlling working time in acrylics lies in the ability to control the rate of evaporation of water. Once most of the water is gone, so is the ability to manipulate the paint layer. Therefore, in order to control acrylics one must control the water. This becomes increasingly important to be able to … Read more
We are pleased to announce seven new additions to the GOLDEN Heavy Body Acrylics line. This latest offering of balanced mixtures are created using lightfast pigments from our Exterior Mural list, which are then tinted with Titanium White to create convenience colors. Although relatively simple blends, they can be difficult to consistently mix by … Read more
Paint Additions Into GAC 800 for Pouring Applications Several rounds of test mixtures of GAC 800 and GOLDEN paints. By far, the most popular GOLDEN Acrylic Medium used for pouring paints is GAC 800. Our Heavy Body Acrylics, Fluid Acrylics, and High Flow Acrylic paint lines readily blend with this free-flowing medium. These mixtures will merge … Read more
Direct, exterior exposure is highly demanding on coatings, with the test fences set at a 45º angle to maximize the effect of sun, rain, snow and ice. In 1993 and again in 2009, long-term exterior tests of the acrylic colors lasting 4 and 3 years respectively were conducted in South Florida. From these results and in … Read more
This article briefly explores the permanent changes created by varnishing transparent watercolor on paper, in particular the aesthetic changes to color, value, texture, and sheen. Keep in mind that varnishing also changes the nature of the painting through the permanent addition of acrylic. While there are several approaches to varnishing watercolor, we only focused on … Read more
